Not many 17-year-old girls can attest to being Bette Midler
groupies, but Michelle fled her small town in upstate NY and
to study in the Big Apple. While in college, she hit the road
with a friend to follow Midler's Divine Miss Millenium Tour to
get an education not found in the classroom.

"I'm either just anachronistic or a reincarnated gay bloke
that didn't survive the 70's and wanted to come back as soon
as possible," Michelle often chides when asked about her
musical roots (which are laden with icons like Carly Simon,
Laura Nyro, and Joni Mitchell). Initially wanting to emulate
Bette Midler and Barbra Streisand, she wrote a memoir about
her Midler Mania (BETTE OR BUST published by a
division of Random House) and found herself working at
Streisand's company, Barwood Films at the age of 18. She
sang in cabarets around Manhattan, embracing the
masterpieces of Harold Arlen and Gershwin, all the while
completing her Bachelor of Arts in Communications at the
age of 19 much to the surprise of her college dean. "My
parents would only let me move to Manhattan if I went to
college. I was worried it would waste too much time because
I already knew what I wanted to do with my life... so I
finished as fast as I could."
Nothing ever came easy for Michelle, but she always had faith in
her drive."I love it when people tell me "no." In fact, I dare them
to because it stirs something inside me... this level of defiance that
has allowed me to accomplish things I would have never even
considered before." Aspirations in the film world kept her away
from whole-heartedly pursuing music when she relocated to Los
Angeles after college. Michelle immersed herself in film
production, setting out to make BETTE OR BUST into a movie.
But performing became inevitable, as she seemlessly received
acting and modeling roles and found herself battling to just land a
regular job. "I must have interviewed for over thirty positions at
studios and production offices. I was a published author, a total
overachiever, and had two years of experience working in the
industry behind me. But the doors wouldn't open and I was
constantly told I was too ambitious. That's something no one
would ever tell you in New York. But in LA? Forget it!” Work in
front of the camera came readily with appearances on "The West
Wing" and a pilot for CBS, "Guilty or Innocent."
The angst and listlessness Michelle felt in Tinseltown brought her to the Pacific Coast
Highway, where she'd park her car and write volumes in her journal. It was also the time that
a new muse, Stevie Nicks, entered her musical repertoire and inspired new musical
endeavours. "I love Stevie because like her, I was never musically trained. My parents could
not afford piano lessons or vocal lessons, so I'd escape to the school auditorium or spend
hours in church, pecking away at the keys and teaching myself. The fact that Stevie could
write such captivating, intense songs based on her own instincts and limited training made
me believe that maybe I could do it." Michelle began to put her journal entries to music and
understand an instant gratification that the filmmaking process didn't provide.
Driving over Laurel Canyon Blvd. nearly a year after she relocated to California, "Dreams" by
Fleetwood Mac came on the radio. Michelle looked up to her visor and saw the slip of paper
on which she scribbled "Follow Instincts" when she had first arrived in Los Angeles. In an
instant she did a u-turn on the top of the hill, drove back to her apartment, and began packing.
She knew that if she really wanted to thrive in music, she had to get back to New York.

Back in Manhattan, the creativity thrived and Michelle worked with a handful of producers
that ultimately did not work out. With the kindness of Fate, Michelle was eventually led to
Scott Slater. Oddly enough, their first email correspondance took place just as Scott was
listening to "Dreams." Michelle took it as an omen and Scott became the first person to hear
her catalog of music. "Having the creative license to just write out all the turbulent moments
of my life in songs took away the intimidation of singing other people's songs because I was
writing about my pain and my life. The songwriting process came so naturally, that I couldn't
resist it. Scott was the perfect person to produce these songs. He was foresaw the production
of the songs as soon as I began to play them for him. He was just so in tune with the grand
scheme of the music." They set out to do a few songs together when Michelle decided she
wanted to do an entire album inspired by the first song they had completed, "Chained by
Dreams." In 2009 "Chained by Dreams" was signed to Lovecat Music's catalog. Michelle and
Scott toured throughout the year and got back into the studio to work on a new five-song EP,
SWEET CLARITY, which will be released in the Fall of 2009..
For posters and high resolution photos, go to
http://www.box.net/shared/2llu1pep7a.