Not many 17-year-old girls can attest to being Bette Midler groupies, but
Michelle fled her small town in upstate NY and to study in the Big Apple. While
in college, she hit the road with a friend to follow Midler's Divine Miss
Millenium Tour to get an education not found in the classroom.

"
I'm either just anachronistic or a reincarnated gay bloke that didn't survive the
70's and wanted to come back as soon as possible," Michelle often chides when
asked about her musical roots (which are laden with icons like Carly Simon,
Laura Nyro, and Joni Mitchell). Initially wanting to emulate Bette Midler and
Barbra Streisand, she wrote a memoir about her Midler Mania (
BETTE OR
BUST
published by a division of Random House) and found herself working at
Streisand's company, Barwood Films at the age of 18. She sang in cabarets
around Manhattan, embracing the masterpieces of Harold Arlen and Gershwin,
all the while completing her Bachelor of Arts in Communications at the age of
19 much to the surprise of her college dean. "My parents would only let me
move to Manhattan if I went to college. I was worried it would waste too much
time because I already knew what I wanted to do with my life... so I finished as
fast as I could."

Nothing ever came easy for Michelle, but she always had faith in
her drive."I love it when people tell me "no." In fact, I dare them
to because it stirs something inside me... this level of defiance
that has allowed me to accomplish things I would have never
even considered before." Aspirations in the film world kept her
away from whole-heartedly pursuing music when she relocated
to Los Angeles after college. Michelle immersed herself in film
production, setting out to make
BETTE OR BUST into a
movie. But performing became inevitable, as she seemlessly
received acting and modeling roles and found herself battling to
just land a regular job. "I must have interviewed for over thirty
positions at studios and production offices. I was a published
author, a total overachiever, and had two years of experience
working in the industry behind me. But the doors wouldn't open
and I was constantly told I was too ambitious. That's something
no one would ever tell you in New York. But in LA? Forget it!”
The angst and listlessness Michelle felt in Tinseltown
brought her to the Pacific Coast Highway, where she'd park
her car and write volumes in her journal. It was also the
time that a new muse,
Stevie Nicks, entered her musical
repertoire and inspired new musical endeavours. "I love
Stevie because like her, I was never musically trained. My
parents could not afford piano lessons or vocal lessons, so
I'd escape to the school auditorium or spend hours in
church, pecking away at the keys and teaching myself. The
fact that Stevie could write such captivating, intense songs
based on her own instincts and limited training made me
believe that maybe I could do it." Michelle began to put her
journal entries to music and understand an instant
gratification that the filmmaking process didn't provide.
Driving over Laurel Canyon Blvd. nearly a year after she relocated to California,
"Dreams" by Fleetwood Mac came on the radio. Michelle looked up to her visor
and saw the slip of paper on which she scribbled "Follow Instincts" when she had
first arrived in Los Angeles. In an instant she did a u-turn on the top of the hill,
drove back to her apartment, and began packing. She knew that if she really
wanted to thrive in music, she had to get back to New York.

Back in Manhattan, the creativity thrived and Michelle worked with a handful of
producers that ultimately did not work out. With the kindness of Fate, Michelle
was eventually led to Scott Slater. Oddly enough, their first email correspondance
took place just as Scott was listening to "Dreams." Michelle took it as an omen and
Scott became the first person to hear her catalog of music. "Having the creative
license to just write out all the turbulent moments of my life in songs took away
the intimidation of singing other people's songs because I was writing about my
pain and my life. The songwriting process came so naturally, that I couldn't resist
it. Scott was the perfect person to produce these songs. He was foresaw the
production of the songs as soon as I began to play them for him. He was just so in
tune with the grand scheme of the music." They set out to do a few songs together
when Michelle decided she wanted to do an entire album inspired by the first song
they had completed, "Chained by Dreams." Each song managed to incorporate the
strongs melodies and 70's instruments that Michelle absorbed from her
influences, but with a modern touch.
With a journey of omens and obstacles, with triumphs and
low moments, Michelle and Scott are thrilled (and
relieved!) for their first release,
CHAINED BY DREAMS.
Chained
By Dreams
is
Now
Available!
Currently being sold
directly through the
site (use the Google
link), CDBaby, and
downloads are
available at Itunes.